Posts Tagged tekki one
On of my favorite kata was Kima Chodan. It has several other names, Tekki, the Iron Horse, and so on. It was also the favorite of Giochin Funakoshi, he spent ten years playing with it.
The reason it is so great is that it is a power form. Getting low in the horse, stepping back and forth, just powers up the tan tien like nobody’s business.
One of my favorite things was to face a partner and mirror the form. We would race, find harmony, critique each other endlessly. A mirror that actually talked…how cool was that, eh?
For those who would like to go extreme, it’s fun to put a heavy weight vest and go crazy, or to hold dumbells and go crazy.
After a while the power jacks up, you start feeling like nobody in the world could stop you, and man, ain’t life a hoot!
Anyway, here’s my version of it. I learned it forty years ago, and I haven’t tweaked it much, so it’s a pretty pure version. Comes not through the Japanese lineage, but direct to the Okinawa Masters who taught Gichin Funakoshi. If you want to learn more about the old Karate forms surrounding Kima Chodan, or Tekki or the Iron Horse or whatever you call it, check out Temple Karate at Monster Martial Arts.
The proof is that you are saying, ‘Oh, I know about that.’ Everybody says that, until they come across Matrixing, and then the light goes on. That’s why so many of these wins are about people scrambling to readjust their systems once they have matrixing technology at hand.
There is knowing about, and there is knowing, and that is the difference between somebody working out, even after multiple degrees of black belt, and somebody who has found the true art. Here’s a snippet of me doing a karate kata. The techniques are not memorized, they are not practiced, they are created on the spot. They don’t look polished because they are real, which is a very difficult concept for some people to understand.
Here’s a great win.
“After studying the material and applying it to my art of Chinese Kenpo Karate, I feel that its concepts and principles have truly been a benefit as they have given me the key to understand thoroughly what I have been mindlessly practicing for all these years. No more monkey – see, monkey – do karate, I now have the keys to mastering every technique from the most basic, to the most advanced. I have actually coined a phrase for my students; ‘knowing a technique comes from understanding ‘how’ it is performed (outward mechanics). Mastering a technique comes from understanding why a technique is performed and all of the concepts and philosophies involved to make it work’. Mastery is something that is seldom taught in today’s martial arts schools.”
When you understand the difference between ‘knowing about,’ and can move into ‘knowing,’ then we’re on the same wavelength.
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