Posts Tagged karate technique

Handling the Sword Attack with a Karate Technique from Pinan Five

Mind you, a sword attack is not likely these days, but if you know the karate technique from Pinan Five then you can adapt pretty easily for other types of attacks. After all, a club is a short sword with no edge, a knife is a really short sword, and so on.
Pinan Five, also called Heian Five, has a move in it, about halfway through, where you raise your crossed wrists upward. This is the self defense technique we are looking at.
When doing this technique you must rush forward and make sure you apply it to the attacker’s wrists. Pretty silly to block a raw sword blade with your bare wrists.
You catch the attackers arm and push upward on the elbow and pull down the wrist. Then will translate into an armbar or elbow roll, and he will be pretty much at your mercy.
This is a real meat and potatoes technique, works for all sorts of stuff. After a while you will find yourself moving in and just grabbing and twisting the attacker’s arm. This is good. But, if you ever have trouble, you should have practiced the individual pieces, as prescribed by the Karate Form Pinan Five. Knowing the pieces will allow you to master the whole of the technique.
Check out this video, in which I teach this technique.

If you want to know more about the Karate techniques from Pinan Five, more than the sword attack I have just outlined, then drop by Learn Karate Online and check out the Kang Duk Won. This is a download and you could be seeing all the old, tried and true methods for self protection in less than a minute.

Advertisements

, , ,

Leave a comment

Top Three Reasons Classical Karate Techniques Don’t Always Work–What You Can Do About It!

I’m going to tell you three reasons exactly why Classical Karate Techniques Don’t Work. Some of these reasons you’re going to be able to fix. Some of them you’re not.

The most obvious Karate Bunkai, and I’m talking about the ones taken directly from the form, don’t work is that they are poser. A Poser technique is one wherein the attacker makes his attack, then holds his pose while the defender makes the technique work. Of course, that’s not really making a technique work.One can go through his martial art and toss out poser techniques, but therein lies a huge problem.

The reason you don’t want to throw out posers ties directly into the second reason bunkai often prove unworkable, these poser tricks are often an evolution to a technique that does work. In fact, while there are many posers that should be tossed, the fact is that many of the posers lead directly into the techniques that are so Fng unstoppable it is unbelievable. Remember, one of the original talents that the originators of Karate had was the ability to disarm a samurai. That takes some kind of technique.

And we come to the third reason, which ties back to the second and first reason. People don’t understand the basics. They don’t take the time to look into the poser techniques until they understand the higher evolutions of art. Actually, when I say basics, I mean basic/basics, the reasons underlying the basics. Heck, when I watch some classical karate classes it is obvious that many instructors don’t even know that the basic/basics exist.

The point of this blog has been to point out three reasons Karate is sometimes less than workable, and to help you deal with them. The unfortunate news, as you will find out when you start shuffling your posers around and trying to eliminate them, you can’t just throw them out. Throwing a low ranking poser out will toss out the higher evolution technique that really works.

This is where Matrixing comes in. Matrixing doesn’t just throw out the exact posers that should be thrown out, it restructures the art, reconnects the lower evolution moves with the higher evolution moves. But it doesn’t do this for you, it gives you the knowledge so that you can do the restructuring. No art, no method, has ever done this before; there has never been anything like Matrixing in the martial arts on this planet. Ever. But if you use Matrixing, you’ll be able to resurrect the power of the original Karate, make all those Classical Karate Techniques work, and without destroying your art in the process.

You can find out how to Matrix your Karate at Matrix Karate.

, , ,

Leave a comment

Win #35–Defining the True Art through Karate Bunkai

It’s pretty obvious that this concept, of defining art by the workability of Karate Bunkai has to be pushed through every and all martial arts. Call it Karate Application, Karate Technique, or whatever, if it doesn’t work, don’t do it, and throw it out of your art.

If it is a poser, get rid of it.

If it is bushwah (hit him in the big toe to disable him), get rid of it.

This is not to say that you should get rid of beginning or intermediate techniques which build response and lead to the real thing. This is not to say you should strip your system of energy or breathing techniques, but you should define them more exactly. But…here’s a win.

…has allowed me to perfect the function of my system. Thats the difference between the True Art and everything else. ‘Function.’ Now I have a martial art system that functions at a very High level I might had. I highly recommend this course to anyone who aspires to be an instructor of True Martial Arts.Sincere Thanks Again, Dr Charles R Cashmere Md.,Phd Founder Chung

You do your system, find out what works, what can be kept because it will lead to increased workability, and you define the bulk of your system. Again, be careful, you don’t want to strip the art entire, and just say you’re going MMA, you’d be losing out on the true art. But do get lean and mean and make your art work, and the best way to do this is to make those Karate bunkai work, or to analyze and work them until they do work. Period.

If you want to take a look at a stripped down, functional work of Karate, check out Perfect Karate. It’s absolutely free.

, , ,

Leave a comment

Win #32–No More Monkey See Monkey Do Karate

We memorize, you see. We memorize the karate kata, we memorize the Karate technique, and we monkey see monkey do without ever thinking about it.

The proof is that you are saying, ‘Oh, I know about that.’ Everybody says that, until they come across Matrixing, and then the light goes on. That’s why so many of these wins are about people scrambling to readjust their systems once they have matrixing technology at hand.

There is knowing about, and there is knowing, and that is the difference between somebody working out, even after multiple degrees of black belt, and somebody who has found the true art. Here’s a snippet of me doing a karate kata. The techniques are not memorized, they are not practiced, they are created on the spot. They don’t look polished because they are real, which is a very difficult concept for some people to understand.

Here’s a great win.

“After studying the material and applying it to my art of Chinese Kenpo Karate, I feel that its concepts and principles have truly been a benefit as they have given me the key to understand thoroughly what I have been mindlessly practicing for all these years. No more monkey – see, monkey – do karate, I now have the keys to mastering every technique from the most basic, to the most advanced. I have actually coined a phrase for my students; ‘knowing a technique comes from understanding ‘how’ it is performed (outward mechanics). Mastering a technique comes from understanding why a technique is performed and all of the concepts and philosophies involved to make it work’. Mastery is something that is seldom taught in today’s martial arts schools.”

When you understand the difference between ‘knowing about,’ and can move into ‘knowing,’ then we’re on the same wavelength.

Click here and you can pick up a free book on Matrix Karate

 

, , , ,

Leave a comment

Win #27–Beating Pain through Good Karate Technique

There are two types of pain: one is the warning that you are getting damaged, and the other is used to grow yourself.

If you are in danger of being damaged, back off. Fight again another day.

But, if you can appreciate pain, then you can use it.

When somebody blocks, breath into your tan tien, and send a flow of energy down the blocking arm. Make your arm tight. Let the energy become rigid. Now, something is going to happen…you have a decision to make.

If you decide to take the pain, it is going to hurt.

But, if you jump back, and make a decision that it’s not going to hurt, that the other guy is going to hurt himself…then it will be so.

Here’s a win from one of my students.

“I am more willing now to confront pain. Obviously pain is not a great thing but when it does occur I am more easily able to confront it and continue on with what I am doing. I don’t have to run away every time I experience a bit of pain.”

Look, it’s a decision, and it is one of those decisions that only Karate will bring you to.

So, do you want to experience pain? Or do you want to make up your mind that it doesn’t hurt…period.

Drop by my site and pick up a Free Karate Book, and learn more about such things as beating pain with good karate technique.

, , ,

1 Comment